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THE BOND COLLECTION

CLASSIC FANTASY FILM SCORES

Here we have a great collection of music from four classic movies scored by Bernard Herrmann.
Presented for your nostalgic needs in glorious mono! and track 31 even includes some creepy sound effects featuring those skeleton's from Jason and The Argonauts.
A full set of hi-resolution cover scans can be found over in our Artwork Department.
Enjoy!

BERNARD HERRMANN : CLASSIC FANTASY FILM SCORES
CLOUD NINE RECORDS
ACN 7014
MONO
1988

THE JAZZ SQUAD

I don't know much about this album or the artist but I sure know one thing.....This is Crime Jazz in the traditional mould! Although this release dates as the 90's I presume these recordings are from around the early 60's or if not have been re-created with superb authenticity. Take a trip back to the Golden-Age with these swinging jazz greats!

THE LARRY MILLS ORCHESTRA : THE JAZZ SQUAD Music in the first degree
VINTAGE CLASSIC SERIES
VCS 026
STEREO
1995

Supplied by Isbum

CASABLANCA DOUBLE-FEATURE

Here we present a good old-fashioned "Double-Feature" starring Bogey himself. Included here is the original movie soundtrack featuring dialogue, music & effects. Also included is the radio play which also features all the original cast and finally as a bonus there is a related radio play called "Casbah" starring Tony Martin.


Main Feature:
CASABLANCA THE MOVIE PLAY
WARNER BROS
ORIGINAL CAST
1942

Supporting Feature:
CASABLANCA THE RADIO PLAY
as heard on "THE SCREENGUILD PLAYERS"
CBS RADIO (Sponsored by Lady Esther)
April 26, 1943

Bonus Feature:
CASBAH THE RADIO PLAY
Complete as heard on "SCREEN DIRECTOR'S PLAYHOUSE"
NBC RADIO (Sponsored by Pabst Blue Ribbon Beer)
July 22, 1949

THE THIRD MAN

This is the "Lux Radio Theatre" presentation of "The Third Man" originally transmitted in 1951. This stars Orson Wells and is essentially the movie in "sound". The play runs for an hour and is sponsored by Lux Soap. Step back in time and enjoy the mystery!

LUX RADIO THEATRE : THE THIRD MAN
RADIO PLAY
MONO
1951

THE WILD GEESE

Thanks to Paul for sharing this rip of the Roy Budd score to The Wild Geese. Although not quite as groovy as his other scores featured here on The Lounge this is still a great soundtrack.

ROY BUDD : THE WILD GEESE
A&M RECORDS
AMLH 64730
STEREO
1978

((((( ANNOUNCEMENT )))))
THE ARTWORK DEPARTMENT HAS BEEN GIVEN A NEW LEASE OF LIFE BY JOINING UP WITH "FRANKLYNOT"

ISBUM & FILMPAC HAVE STEPPED ONBOARD AS CO-AUTHORS AND WILL BE HELPING TO EXPAND THE RANGE OF HIGH QUALITY COVER SCANS WHICH WILL MAKE IT A MUCH MORE INTERESTING AND USEFUL PLACE TO VISIT

IT IS NOW ALSO GOING TO CONTAIN ARTWORK FROM ALL MOVIE GENRE'S NOT JUST CRIME JAZZ

PLEASE TAKE THE TIME TO POP IN AND TAKE A LOOK
YOU CAN ENTER BY CLICKING THE ARTWORK DEPARTMENT BANNER ABOVE

SITTING TARGET

Forget The Deer Hunter! This is one of Stanley Myers' finest moments. Presented here after a 30 year hiatus is the wonderfully groovy score to the 1971 British crime thriller starring Oliver Reed, Jill St John, Edward Woodward and Ian McShane. If you like the work of Roy Budd you'll probably like this one too!

STANLEY MYERS : SITTING TARGET
FINDERS KEEPERS RECORDS
FKR004
STEREO
1971

Supplied by Isbum

THE BANK JOB


Dr. NO

Lemoncat has sent over this LP rip of the first Bond film soundtrack. Although ALL the James Bond soundtracks can be found over on our "Bond Pages" this is the mono version, sounding just like it did in the cinema back in '62.
This is very different to the rest of the series as this was composed by Monty Norman. Although Norman originally got credited as the composer of "The James Bond Theme", over the years it has come to be accepted that in fact it was written and arranged by the master himself John Barry. Norman has always claimed it as his own but anyone with a pair of ears (or even just one in the case of this mono version) can "see" that it is Barry's work. It's a simply incredible piece of arrangement that stands up as well today as it did back in 1962.

MONTY NORMAN / JOHN BARRY : DR. NO SOUNDTRACK
UNITED ARTISTS RECORDS
ULP 1097
MONO
1962

Supplied by Lemoncat

JAMES BOND ADVENTURE

Thanks to our regular contributor Lemoncat from "Grooves of Delight" we now have another welcome addition to the Roland Shaw catalogue. Second only to John Barry himself, Roland Shaw had a wonderful way of arranging and presenting not only the usual main themes but also some lesser-known incidental tracks from the Bond movies. Sit back and let the master entertain you!

ROLAND SHAW & HIS ORCHESTRA : THE WORLD OF JAMES BOND ADVENTURE
DECCA RECORDS
SPA 158
STEREO
1971

JAMES BOND DOUBLE FEATURE

Here we have the "Big Sound of Billy Strange His Guitar & Orchestra" playing a variety of Film themes including swinging versions of Born Free, Alfie, Georgy Girl, a great version of "In Like Flint" and of course a couple of Bond themes. A first class collection all the way!

BILLY STRANGE HIS GUITAR & ORCHESTRA : JAMES BOND DOUBLE FEATURE
GNP CRESCENDO RECORDS
GNPS 2039
STEREO
1967

JAMES BOND THEME / WALK, DON'T RUN




BILLY STRANGE HIS GUITAR & ORCHESTRA
THE JAMES BOND THEME / WALK, DON'T RUN
GNP CRESCENDO RECORDS
GNPS 2004
STEREO
1964

THE THOMAS CROWN AFFAIRS


Thanks to Dominic for sharing these two scores with us. The original 1968 version composed by legendary Michel Legrand is the far superior of the two scores. It is nice to have the remake to accompany it however and it does contain some good cues but never reaches the heights of the original classic. There's just something magical about sixties recording techniques!

MICHEL LEGRAND : THE THOMAS CROWN AFFAIR (1968)

BILL CONTI : THE THOMAS CROWN AFFAIR (1999)

MORE JAMES BOND IN ACTION

A Big Thanks to Detour for ripping and posting this wonderful LP from the awesome Roland Shaw. We have quite a few of Mr. Shaw's other albums featured here already on The Crime Lounge and this makes a welcome addition to the collection.

ROLAND SHAW & HIS ORCHESTRA : MORE JAMES BOND IN ACTION
DECCA PHASE 4 STEREO
PFS 4125
STEREO
1967

Look HERE for all the other Roland Shaw albums featured in The Crime Lounge archives

LARRY SCHAFFER ORCHESTRA

Many thanks to Rocket again for sharing yet another great LP rip. He always surprises us with rare and unusual albums and this is no exception. Here The Larry Schaffer Orchestra work their way through some great Easy Listening tunes including "Two Guitars" and "Sabre Dance". There is also a great energetic version of The Mission Impossible theme along with the appropriately named "Mission Inside" and "Mission Outside".

MISSION IMPOSSIBLE : THE LARRY SCHAFFER ORCHESTRA
CUSTOM RECORDS
STEREO
1966

(((( NOW AVAILABLE ))))
THE LATEST VOLUME IN OUR CRIME JAZZ SERIES
FEATURING SELECTIONS FROM THE WORLD OF SPY/CRIME TV & FILM
ALL FEATURING A LATIN INFLUENCE

TV THRILLER SPECTACULAR

Once again Lemoncat has scoured the vastness of his vinyl archive to bring us this little gem. This is a great collection of TV Thriller themes which was originally contained in a Reader's Digest box set called "TV Spectacular", here we have the volume dedicated to the "The Thrillers", all wrapped up in a cool retro television design sleeve.
Featured are some great versions of all the popular themes from the 60's & 70's including Columbo, Kojak, The Avengers, Hawaii Five-O etc. All performed to a high standard by 101 Strings, Burt Rhodes, Harry Rabinowitz and Johnny Keating.

TV SPECTACULAR : THE THRILLERS
READERS DIGEST : VARIOUS ARTISTS
STEREO
1977

THE MAN CALLED FLINTSTONE

The original soundtrack to the 1966 movie starring Fred Flintstone. Many thanks to Lemoncat of Grooves Of Delight for supplying this rip for The Crime Lounge. Be sure to visit him and check out his almost never ending vinyl delights.

HANNA BARBERA PRESENTS : THE MAN CALLED FLINTSTONE
HBR RECORDS
HLP-2055
STEREO
1966

Supplied by Lemoncat

WALK ON THE WILD SIDE

The cool jazzy score to the 1962 classic movie. The wonderful music was composed and conducted by the legendary Elmer Bernstein and features Shelly Manne on drums. This is one of those soundtracks that is probably far better known than the film it comes from!

ELMER BERNSTEIN : WALK ON THE WILD SIDE
CHOREO RECORDS
AVA AS-4 ST
STEREO
1962

CLIFFHANGERS

A collection of scores from Action/Adventure movies, performed by The City of Prague Philharmonic & The Budapest Studio Orchestra's. All selections are performed to the usual high standards of these great orchestra's and sound as good as the original recordings.

CLIFFHANGERS : ACTION AND ADVENTURE IN THE MOVIES
THE CITY OF PRAGUE PHILHARMONIC & THE BUDAPEST STUDIO ORCHESTRA'S
SILVA SCREEN
FILMCD 155
STEREO
1994

GET SHORTY

You've probably all seen the film, you've probably all heard the soundtrack so I'll say no more!

JOHN LURIE & VARIOUS : GET SHORTY
POLYGRAM RECORDS
529 310-2
STEREO
1995

PAPER TIGER

Crime Lounge favourite Roy Budd composes the score to the adventure film "Paper Tiger". Here he works with The National Philharmonic Orchestra with a little assistance on a couple of tracks by both the Ray Conniff & Mike Sammes singers. This gives this soundtrack more of an Easy Listening feel than some of his groovier scores but there are still some action cues featured.

ROY BUDD : PAPER TIGER
CINEPHILE (ORIGINALLY RELEASED ON CBS RECORDS)
CIN CD012
STEREO
1975

DIE KLAPPERSCHLANGE

The amazing electronic score to John Carpenter's "Escape From New York" is a classic of the genre. Featured here is the German release bearing the less than memorable "Die KlapperSchlange" which translates as "The Rattlesnake", obviously a reference to his tattoo.

JOHN CARPENTER : ESCAPE FROM NEW YORK
COLOSSEUM RECORDS
CST 34 8038
STEREO
1988

YOUR INTRODUCTORY RECORD

OK, the story goes that Gregor Reid and Crawford Tait met while working at Acme Library of Recorded Music for Film and Television in the early '70s. Now if Domino Records is to be believed the music on this album comes from that era and was only recently discovered!
This is a modern album by the duo who go by the name of "Cinema Recorded Music Library" (or just "Cinema") and it aims to emulate those old library LP's.
Here we have some wonderfully evocative soundscapes that force you to imagine rain drenched Eastern-European streets in a fog-shrouded world of mystery and intrigue...Excellent!

CINEMA RECORDED MUSIC LIBRARY : YOUR INTRODUCTORY RECORD
DOMINO RECORDS
WIG CD085
STEREO
2000

THOSE FABULOUS HOLLYWOOD MARCHES

Lalo Schifrin conducts The San Diego Symphony Orchestra through a collection of rousing marches including selections from Star Wars, Indiana Jones, The Dirty Dozen, Superman and many more......

THOSE FABULOUS HOLLYWOOD MARCHES : LALO SCHIFRIN & THE SAN DIEGO SYMPHONY ORCHESTRA
PROARTE DIGITAL
CDD 504
STEREO
1990

STEVEN SEAGAL TRILOGY

This is a collection of music from three films starring the quiet man himself. The original soundtracks from "Hard To Kill", "Above The Law" and "Out For Justice" are featured here all composed by David Michael Frank. This album also contains a 20 minute interview with Steven Seagal by Neil Norman.

MUSIC FROM THE FILMS OF STEVEN SEAGAL : DAVID MICHAEL FRANK
GNP CRESCENDO
GNPD 8028
STEREO
1992

CULT TV THEMES


Here is another collection from the "London Theatre Orchestra". This time they tackle the world of sixties & seventies cult television, ranging from Mission Impossible right through to Blake's 7.

THE LONDON THEATRE ORCHESTRA : CULT TV THEMES
EMPORIO MUSIC
EMPRCD 783
STEREO
1998

COPS ON THE BOX USA


Here we have a collection of 16 cop show themes credited to The London Theatre Orchestra. This seems to be a name they give to "uncredited" artists as there are quite a few collections around bearing their name and none of them sound like an orchestra!
Either way, they are pretty good versions of well-known tunes.

COPS ON THE BOX USA : THE LONDON THEATRE ORCHESTRA
EMPORIO MUSIC
EMPRCD 711
STEREO
1997

ERIC WINSTONE PLAYS 007

Here is a great album from 1973 featuring the sound of The Eric Winstone Big Band. You may be familiar with quite a few of these recordings as they have appeared on various Bond compilations over the years under multiple artist names, here though are the original recordings presented from the original album.
Eric Winstone recorded various album's for the Avenue International label, some of them featuring arrangements and compositions from Amphonic Library regulars. This particular LP was co-arranged and co-produced by the legendary Syd Dale.

ERIC WINSTONE PLAYS 007
AVENUE INTERNATIONAL
AVINT 1005
STEREO
1973

WHO DARES WINS

Fresh from his success in TV's The Professionals, Lewis Collins hit the ground running with this tailor-made action piece. As Bodie, he played an ex-SAS officer, so his role here was pretty much a continuation of that television character.
Supplying the pulsating score was a master of the genre, Roy Budd. Having scored many classic action thrillers throughout the seventies, here he bursts into the eighties with a slightly more electronic style. "Who Dares Wins" as it was originally titled was know as "The Final Option" when released in the US.

ROY BUDD : WHO DARES WINS
VARESE SARABANDE
STV 81188
STEREO
1982

THE RETURN OF SHAW.....ROLAND SHAW

Original LP cover (above)

The Roland Shaw "Phase 4 Stereo" collection
My custom cover (below) and on the outside two images above

This is the last of our Roland Shaw albums, This is a double LP set from the 70's entitled "The Return of James Bond in Diamonds are Forever and Other Secret Agent Themes" (do these albums have long titles or what?) and must surely rank as one of the best collections of its kind.

As well as the usual Bond stuff that has appeared on various other Shaw collections, here we have some great versions of TV themes played the way only Roland can. Fantastic covers of The Avengers, The Ipcress File, Mission Impossible & Our Man Flint amongst others.
Thanks to Rocket From Mars for this excellent rip.

Included here is my own custom cover design (brown version above) it matches my cover for Roland's "World of James Bond Adventure" posted earlier. I made it because I couldn't find a decent quality version of the original (as seen above in white).
................................................................................................................

Update: LoungeTracks has kindly supplied high-resolution scans of the original gatefold LP cover. These have been resized for CD case/sleeve and can be found here

THE RETURN OF JAMES BOND IN DIAMONDS ARE FOREVER AND OTHER SECRET AGENT THEMES
DECCA RECORDS
PHASE 4 STEREO
2 - BSP - 24
1971

Supplied by Rocket

((((( NOW AVAILABLE )))))
"INSTRUMENTAL VOICES"
A COLLECTION OF EASY LISTENING INSTRUMENTALS WITH A VOCAL SOUNDSCAPE
CLICK THE CRIME LOUNGE RECORDS BANNER ABOVE

UNIDENTIFIED CRIME JAZZ

CALLING ALL LIBRARY FANS, VINYL JUNKIES AND GENERAL CRIME JAZZ OBSSESIVES!
A FELLOW AGENT IN THE FIELD NEEDS HELP DECODING SOME OBSCURE TRACKS FROM YESTERYEAR. I'LL LET HIM EXPLAIN.....

I was wondering if you could help me identify the source of a couple of themes.
Let me give you the background first.
I was born in Israel, and in the early 70's there were a lot of shows in the then new Instructional Television Center that featured beautiful and exciting themes. I, and countless other people have been influenced forever by these musical pieces, without ever knowing their true source. In later years I have found out who was the musical consulant that used all these pieces of music. Alas, Mr. Yohanan Kaldi was old by then, and could not remember anything specific. He just said most of them were from dead stock that record distributors gave him to use.
I and other fans have tracked down some pieces and they range from Lalo Schifrin, to Al Caiola, Frank Zappa, and Syd Dale.
Here are 2 crime themes that I can not identify, and would really appreciate it if you could possibly try:

First, from a show called Crime & the Law:
Second, from a show called Police File (main Character Inspector Neer):
Lastly, a "bonus" question. Not crime jazz at all, maybe a fuzz instrumental, but this is the one most fans want to identify:

The poor quality is becasue I recorded these from VHS which was recorded at the archive of the Instructional Television Center from beta format, which was converted from 2" video reels.

Thanks you so much,
Ran Mosessco
San Diego

I've uploaded these to zshare so you can listen without having to download them. As you will hear from the examples there is some great music contained in the soundtracks to these shows and hopefully someone out there will recognise one or two tracks.
If anyone does then please leave a comment below telling Ran (and the rest of us) where this music originates from. Thanks for your help.

LORD LEW GRADE (1906-1998)


Lew Grade is probably the closest the British television industry has ever come to having a genuine showbusiness mogul. A flamboyant and canny operator, for a quarter of a century he was the best-known figure in independent television, and certainly one of the most powerful.

Born Louis Winogradsky in Tokmak in the Ukraine, his birth date is generally given as Christmas Day 1906, although some official records actually have it as 23 January of that year. He and his younger brother Boris came to London in 1912 to escape the anti-Jewish pogroms still rampaging through Tsarist Russia. After leaving school at 14, he entered show business as a dancer, a career that took off after he won a Charleston contest at the Royal Albert Hall in 1926. For the next few years, Lew Grade (as he now was) toured the variety and cabaret circuits, his trademark routine being an ultra-fast Charleston danced on a small oval table, before deciding to turn an occasional sideline into a career, setting up a talent management company with Joe Collins (father of the actress Joan and writer Jackie).

After the war, Grade, now working with his brother Leslie, moved increasingly towards packaging shows as well as representation, made many alliances in Europe and also brokered a deal with the General Artists Corporation of America talent agency, handling their entire roster outside of the United States. The Grade brothers' company grew as it took over several smaller agencies, and in 1948 they became one of the main suppliers of talent for the London Palladium, the most prestigious variety venue in the country, run by Val Parnell for the Moss Empires Group owned by the Littler family. It was with Parnell and Prince Littler that Lew Grade moved into television.

The first franchises for the new ITV network were announced in 1954 and Lew and Leslie put up £15,000 each, going into partnership with Prince Littler and Parnell to set up the Incorporated Television Programme Company Limited (ITP), with backing from Warburgs merchant bankers. Initially their bid was turned down on the grounds that their company was already too powerful in the entertainment world. They finally succeeded, however, when they merged with the Associated Broadcasting Development Company consortium, whose bid had been accepted for the weekday Midlands and weekend London franchises, but which was clearly undercapitalised. Their combined company, Associated TeleVision (ATV), had ABDC's Lord Renwick as its chairman and Val Parnell as Managing Director, with Lew Grade shortly afterwards becoming his deputy.

Grade's roots in variety and music hall never left him, and ATV's output largely reflected his and Parnell's tastes in entertainment, aimed at the broadest possible audience. Early hits included Sunday Night at the Palladium (1955-65), presented by Parnell himself, and The Adventures of Robin Hood (1955-59), the first of dozens of popular filmed dramas made over the next twenty years by ITC (Incorporated Television Company), as ITP was now known.

From its inception, Grade wanted ITC to provide fare that could be used to crack the lucrative American market, which he did so successfully that ATV won the Queen's Award to Industry for Export Achievement three times. Eventually Grade became almost as well known as his projects, renowned for his prodigious office hours (from 6 AM to 7.30 PM), dancing the Charleston at his sumptuous press junkets, his gargantuan Havana cigars and Samuel Goldwyn-like witticisms (asked how much two plus two make, he apparently replied, "Are you buying or selling?"), most of which were doubtless apocryphal.

In 1962 Grade ousted Parnell in a boardroom reshuffle that paved the way for his most successful period as a businessman, consolidating his multiple interests in a hugely powerful, vertically integrated organisation. Their full extent was first highlighted when the Sunday Times' respected 'Insight' investigative team published a report in May 1966 entitled 'The Show Business Octopus'. The internecine picture it depicted showed the three brothers controlling most of the important UK talent agencies (not just actors, writers and directors but also variety artists and music performers like Lulu and The Animals, in addition to representing overseas stars like Frank Sinatra and Judy Garland), as well as the theatres in which they appeared (through ownership of the Stoll Moss group) and the cinemas in which their films were shown. All this while Lew Grade was Managing Director of ATV (the largest ITV franchise), which also had such important subsidiaries as its production arms ITC and Gerry Anderson's AP Films (later Century 21). In addition ATV had also diversified into publishing, bowling alleys and the piped-music company Muzak, as well as owning Pye, the UK's third-largest record company.

Allegations of favouritism and collusion and charges of restrictive and unfair business practices were made, in and out of court; the actor's union Equity even petitioned Parliament to reduce Delfont and the Grades' stranglehold over the industry. Inevitably, there were reprimands from the ITA and its successor, the IBA, which calculated that at one point 70% of all music heard on ATV came from the companies it controlled. Slowly but surely the UK caught up with some of the anti-trust legislation which had already been passed in the US, and by the 1970s some of the tentacles of the Grade organisation had been detached.

Facing charges that ATV's programmes were too formulaic or even substandard - particularly popular but cheap programmes like the soap Crossroads (1964-1988; revived 2001-03) - and that the programming didn't reflect its own region enough, when the new franchises were announced in 1968, Grade's wings were clipped slightly. ATV's responsibility for London's weekend programmes was taken away (and given to David Frost's London Weekend Television), while the Midlands franchise was extended for the full week. This period also coincided with Leslie Grade's first stroke, which eventually led to the Grade agency being sold. Equally, Grade's run of successes with the escapist television series made through the ITC subsidiary eventually petered out, notable disappointments including the expensive U.F.O. (1970) and the Shirley MacLaine vehicle Shirley's World (1971), which in her autobiography she characterised as "...an experience akin to what Vietnam must have been for Kennedy, Johnson and Nixon".

Grade continued to win big audiences with the kind of variety entertainment that he liked best, hosted by the likes of Tom Jones and Julie Andrews, although the most successful of all was The Muppet Show (1976-81), a pet project of Grade's which, with its mixture of comedy, music, American involvement and big name stars probably sums up his approach to TV entertainment more than any other. Nonetheless, in the 1970s he started to look for new challenges.

The death of Lord Renwick in 1973 had a major impact on Grade's outlook, as he had been invaluable to ATV both for his business acumen and his skills as a micro manager with disparate board members. As Grade approached the ITA's mandatory retirement age of 70, he moved the company increasingly towards international feature film production. Through his directorship of its holding company, Associated Communications Company (ACC), Grade had already moved ITC away from episodic television series towards such miniseries as Jesus of Nazareth (1977). When Grade's second big budget cinema film, Return of the Pink Panther (d. Blake Edwards, 1975), was a box office blockbuster, it convinced him that feature film production and distribution was where his future lay.

Most of the cinema films ITC made proved to be commercial disappointments however, with the exception of The Muppet Movie (d. James Frawley, 1979), in which Grade's own image was amusingly sent up by having Orson Welles play an impresario named 'Lew Lord'. Equally, Grade's attempts to side-step the Hollywood studios and set up his own US distribution company, Associated Film Distributors (AFD), ended quickly in disaster, all of which was exacerbated by the colossal failure of Raise the Titanic (US, d. Jerry Jameson, 1981), which cost $33 million (twice its estimated budget) and earned dismal returns. Ironically, shortly afterwards two of Grade's films, On Golden Pond (US, d. Mark Rydell, 1981) and Sophie's Choice (US, d. Alan J. Pakula, 1982) did well both critically and commercially, but by then the films had been sold off to Universal Studios and ACC had been bought up by Robert Holmes à Court. In June 1982 Grade left the company after a series of protracted boardroom battles.

Immediately afterwards Grade became Chairman of Embassy Pictures, before going on to set up The Grade Company for which, in collaboration with director John Hough, he produced four boisterous Regency-set TV movies based on novels by Barbara Cartland. Grade had repeatedly said that he would retire in the year 2000, and he almost made it. Hough's Something to Believe In (1998) proved to be Grade's last cinema project; with its American stars, European locations and its mixture of classical music, disease-of-the-week subplot and orthodox religiosity, it remains a super-typical testimonial to the predilections of its producer.

Lew Grade was knighted in 1969 and in 1976 was made a life peer, taking the title Lord Grade of Elstree. He died on 14 December 1998.

Source : Screenonline

FROM ROCKET WITH LOVE

There is life on Mars and it's all vinyl based!
Good friend of The Crime Lounge and regualar guest contributor, Rocket brings us these....
First up is the album David Arnold put together as a sort of "calling card" for the Bond producers. I guess it worked because he's been doing a great job scoring the films ever since. Not all the artists featured here are suited to the genre but a couple stand out, including the amazing epic 9 minute "On Her Majesty's Secret Service" by The Propellerheads and "Space March" by Leftfield. The singers don't fare so well but it's a good collection overall.

VARIOUS ARTISTS : SHAKEN AND STIRRED
THE DAVID ARNOLD BOND PROJECT
STEREO
1997

Here's a 'comedy' album from '65 about James Blonde (Agent 006.95 marked down from 007.00) starring Marty Brill and Larry Foster.

JAMES BLONDE : THE MAN FROM T.A.N.T.E.
COLPIX RECORDS
CPL-495
STEREO
1965


And lastly a couple of "read along" stories for all us big kids!

KID STUFF : DR. NO & THE SPY WHO LOVED ME (READ ALONGS)

You can visit Rocket's little "Vinyl Adventures" over at Franklynot

Supplied by Rocket

POWER THEMES

Power Themes, or you could call it "ITC Remixed" because this is essentially a collection of classic TV Themes from the 60's & 70's all taken from the amazing ITC library. As remix albums go this one is pretty good, I've heard some really ropey collections in my time. To do a good quality mix of an old TV tune I believe you must first and foremost have a real love of the source material you are working with, some of the artists featured here are obviously fans but not all of the arrangements are successful. My pick of the bunch is probably The Prisoner mix by F.A.B.

VARIOUS ARTISTS : POWER THEMES :12 TOP TV CULT CLASSIC REMIXES
RONCO SILVER
CDSR022
STEREO
1993

BIG WESTERN THEMES

Here Geoff Love gives the western genre the "Big" treatment, and if any movie genre deserves a big sound then surely the western is it! Geoff released four western themes LP's during the seventies and this collection is a taster of those masterpieces (here being taken from the re-issued cd version) the covers of which are contained in the file.

GEOFF LOVE & HIS ORCHESTRA : BIG WESTERN THEMES
MUSIC FOR PLEASURE (mfp)
STEREO
1988

BIG WAR THEMES

One of the great names in easy listening brings us a "Big" collection of War Movie themes. Geoff Love was a prolific bandleader and composer churning out album after album of themes during the 70's. He also recorded a sizeable collection of albums as Manuel & The Music of The Mountains as well as providing the backing for many top recording artists of the day. The big bombastic sound of Geoff's orchestra is still as fresh today as when these were originally released. War movie themes go BIG!

GEOFF LOVE & HIS ORCHESTRA : BIG WAR THEMES
MUSIC FOR PLEASURE (mfp)
STEREO
1988

NAME THAT TUNE

Here we have a collection of eight medley's containing 40 television themes. Although credited to The Montague Orchestra it quite clear that these are played on keyboards by a single culprit. Not exactly a classic collection but the cover is nice!

TV TIMES - NAME THAT TUNE : THE MONTAGUE ORCHESTRA
CASTLE COMMUNICATIONS
MAC CD 366
STEREO
1998

VINTAGE THEMES

Here is a wonderful collection of vintage recording from Radio, Television and Cinema Newsreels. Even for those not old enough to remember them from first time around there are many familiar tunes featured. Take a trip back to a time when life was simpler and less hectic.
They don't make 'em like this anymore!

VINTAGE THEMES FROM BRITISH RADIO, TELEVISION AND NEWSREELS
EMI PREMIER
834996 2
MONO
1996

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